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Against Interpretation and Other Essays

Susan Sontag

Paperback | Pages: 312 pages

Rating: 4.13 | 6030 Users | 254 Reviews

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Title	:	Against Interpretation and Other Essays
Author	:	Susan Sontag
Book Format	:	Paperback
Book Edition	:	Deluxe Edition
Pages	:	Pages: 312 pages
Published	:	August 25th 2001 by Picador (first published 1966)
Categories	:	Writing. Essays. Nonfiction. Philosophy. Art. Criticism. Theory

Explanation Concering Books Against Interpretation and Other Essays

Against Interpretation was Susan Sontag's first collection of essays and is a modern classic. Originally published in 1966, it has never gone out of print and has influenced generations of readers all over the world. It includes the famous essays "Notes on Camp" and "Against Interpretation," as well as her impassioned discussions of Sartre, Camus, Simone Weil, Godard, Beckett, Lévi-Strauss, science-fiction movies, psychoanalysis, and contemporary religious thought.

This edition has a new afterword, "Thirty Years Later," in which Sontag restates the terms of her battle against philistinism and against ethical shallowness and indifference.

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Original Title:	Against Interpretation and Other Essays
ISBN:	0312280866 (ISBN13: 9780312280864)
Edition Language:	English
Literary Awards:	National Book Award Finalist for Arts and Letters (1967)

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Ratings: 4.13 From 6030 Users | 254 Reviews

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I was interested in a couple of the larger essays in this collection (like "Against Interpretation" and "On Style") but I couldn't enjoy most of the essays simply because they were about movies or books or authors of which/whom I knew nothing...Sontag's writing in this book is very serious, very intellectual. This sometimes leads to awkward, polysyllabic, obtuse sentences such as, "In place of a hermeneutics we need an erotics of art." (This sounds very important, indeed, but I'm not sure what

The strange thing about this criticism is that it has already become outmoded. Not that Sontag's critiques are themselves inadequate, but that the ground beneath them has shifted in very predictable (given her own theses) ways. And in some way, these (I hesitate to call them essays, as the great majority of this book is given over to reviews) critiques lead the reader to the conclusion that Sontag's reviews are ephemeral where they should have been permanent. But perhaps that is the nature of

I enjoyed this better then On Photography, which I do like a lot. She's all the more impressive as a critic when she doesn't restrict herself to writing a prolonged analysis of one subject. The different sections here tend to be organized along mediums of expression rather than themes. She touches on everything from the relationship to style and form, the role that suffering supposedly plays in the creation of art, corny science fiction films, book reviews, denouncements of pretty much the

A note and some acknowledgmentsI--Against interpretation--On styleII--The artist as exemplary sufferer--Simone Weil--Camus' Notebooks--Michel Leiris' Manhood--The anthropologist as hero--The literary criticism of Georg Lukács--Sartre's Saint Genet--Nathalie Sarraute and the novelIII--Ionesco--Reflections on The Deputy--The death of tragedy--Going to theater, etc.--Marat / Sade / ArtaudIV--Spiritual style in the films of Robert Bresson--Godard's Vivre Sa Vie--The imagination of disaster--Jack

A wide-ranging debut collection of essays on art, film, and literature thats as stimulating today as it was when it was first released in the 60s. Sontags caustic wit, sharp prose, and succinct observations about aesthetics make all the essays worth reading, even though many of her ideas have long since been absorbed into the mainstream. Here, she examines everything from existentialist thought to the tropes of science fiction, and her minds always interesting to follow.

Against Interpretation and Other Essays, Susan SontagAgainst Interpretation is a collection of essays by Susan Sontag published in 1966. It includes some of Sontag's best-known works, including "On Style," and the eponymous essay "Against Interpretation." In the last, Sontag argues that in the new approach to aesthetics the spiritual importance of art is being replaced by the emphasis on the intellect. Rather than recognizing great creative works as possible sources of energy, she argues,

A wide-ranging debut collection of essays on art, film, and literature thats as stimulating today as it was when it was first released in the 60s. Sontags caustic wit, sharp prose, and succinct observations about aesthetics make all the essays worth reading, even though many of her ideas have long since been absorbed into the mainstream. Here, she examines everything from existentialist thought to the tropes of science fiction, and her minds always interesting to follow.