Thursday, June 18, 2020

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Title:Jazz in Search of Itself
Author:Larry Kart
Book Format:Hardcover
Book Edition:First Edition
Pages:Pages: 352 pages
Published:October 11th 2004 by Yale University Press
Categories:Music
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Jazz in Search of Itself Hardcover | Pages: 352 pages
Rating: 4.29 | 7 Users | 3 Reviews

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In this engaging and astute anthology of jazz criticism, Larry Kart casts a wide net. Discussing nearly seventy major jazz figures and many of the music’s key stylistic developments, Kart sees jazz as a unique perpetual narrative—one in which musicians, their audiences, and the evolving music itself are intimately intertwined.
Because jazz arose from the collision of specific peoples under particular conditions, says Kart, its development has been unusually immediate, visible, and intense. Kart has reacted to and judged the music in a similarly active, attentive, and personal manner. His involvement and attention to detail are visible in these pieces: essays that analyze the supposed return to tradition that the music of Wynton Marsalis has come to exemplify; searching accounts of the careers of Miles Davis, Thelonius Monk, Bill Evans, and Lennie Tristano; and writing that explores jazz’s relationship to American popular song and examines the jazz musician’s role as actual and would-be social rebel.

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Original Title: Jazz in Search of Itself
ISBN: 0300104200 (ISBN13: 9780300104202)
Edition Language: English

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Ratings: 4.29 From 7 Users | 3 Reviews

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Kart's book is a collection of newspaper and magazine pieces and album liner notes written over a period of years. Many such critical collections seem lightweight and disposable, and a few of the selections here fall into that category. But the best pieces here reveal the depth of Kart's thinking about jazz, and rank with the best jazz writing I have come across. Even when I disagreed with his judgements, his writing forced me to think carefully about my opinions.

Kart writes better than almost any critic I've ever read about how great jazz sounds and what makes those sounds great--without resorting to much jargon that's beyond the non-musician. He also holds jazz players to a fair and reasonable standard that's getting harder to meet.Kart's book is a collection of newspaper and magazine pieces and album liner notes written over a period of years. Many such critical collections seem lightweight and disposable, and a few of the selections here fall into that category. But the best pieces here reveal the depth of Kart's thinking about jazz, and rank with the best jazz writing I have come across. Even when I disagreed with his judgements, his writing forced me to think carefully about my opinions.

Fans and detractors of Bill Evans (I find myself in both camps) should read Larry Kart's two essays on his music (and to some extent on the man). If you have an open mind, you'll probably learn some things, or at least find a lot to think about and consider.


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